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This course will help students formulate a rational basis for believing in Christian theism expressed as a coherent worldview, followed by a comparison of the strengths and weaknesses of competing worldviews such as Naturalism, Islam and Buddhism.
Next, the course shall explore some of the crucial issues in the debate between Christians and non-Christians: the existence of God, the deity of Jesus Christ, evidence for the truth of the Bible in relation to history and science, the uniqueness of Christ and his salvation in the context of religious pluralism.
Course Outline: 3 hours each topic. Continue reading “Worldview Apologetics in a Multi-Religious Society”
The Literary Structure and Unity of the Book of Genesis
The problem with scholars who apply the historical-critical method (premised on methodological atheism rather than on believing, critical realism) on Genesis is that they refuse to acknowledge what is in plain sight, that is, the unity of Genesis. One of the clues to the unity of Genesis is found in the way in which the phrase “These are the generations of” (’elleh tôledôt) is used ten times at crucial transitions of the narratives in Genesis.
Nahum Sarna explains,
The ’elleh toledot formula is one of the distinguishing characteristics of the Book of Genesis. In each of its other ten occurrences, it introduces what follows, invariably in close connection with the name of a person already mentioned in the narrative. Its use indicates that a new and significant development is at hand. Deriving from the verb y-l-d, “to give birth,” the noun form would mean “begettings” or “generations,” and in most instances it precedes genealogies that are sometimes interspersed with narrative material. In 25:19 and 37:2, where no family tree follows but only stories of subsequent events, the formula is used figuratively for “a record of events.” This is the meaning it bears in the present passage. In this sense, the entire verse may be understood as a unity referring to what follows. Further support for this interpretation lies in its parallel structure, not to mention its poetic chiasm, “heaven and earth,” “earth and heaven.” [Nahum Sarna, Genesis (Jewish Publication Society, 1989), pp. 16-17] Continue reading “Between Babylon and Egypt: Mythology or Historical Traditions in the Book of Genesis. Part 3”
Part 2. The Egyptian Origins and the Levitical Transmission of the Historical Traditions of the Book of Genesis.
Duane Garrett makes a startling pronouncement at the beginning of his book, Rethinking Genesis, “The time has long passed for scholars of every theological persuasion to recognize that the Graf-Wellhausen theory, as a starting point for continued research, is dead. The Documentary Hypothesis and the arguments that support it have been effectively demolished by scholars from many different theological perspectives and areas of expertise.” [Duane Garrett, Rethinking Genesis (Grace Focus Pub, 2000), p. 11]
Nevertheless, the Documentary Hypothesis [DH] remains a major operating framework in Pentateuchal studies among critical scholars, even though its methodology has been shown to be based on flawed linguistics (Umberto Cassuto). Its reconstruction of the literary sources has also been shown to rely on arbitrary literary criteria and circular arguments (Oswald T. Allis and Gleason Archer). Finally, Egyptologists like Kenneth Kitchen have exposed the weakness of its historical foundations as new archaeological evidence shows that the historical milieu of the Pentateuch is more likely to be that of the milieu of Palestine in early second millennium BC rather than that of the milieu of Babylonian exile in the 5 th century BC. The DH is like a splendid academic castle floating magically in air since its foundations have been demolished even though its proponents continue to abide in it simply because they cannot agree on what new structure should replace it. Continue reading “Between Babylon and Egypt: Mythology or Historical Traditions in the Book of Genesis. Part 2”
The Documentary Hypothesis (DH) posits that the Pentateuch is a compilation of four originally independent sources which Old Testament critics designate as J (Jahwist), E (Elohist), P (Priestly) and D (Deuteronomic). Julius Wellhausen, one of the chief architects of the DH suggested the following dates for the documents: J c. 850 BC, E c.750 BC, D c. 622 BC and P c. 500 BC. He further surmised that the documents were merged together by Jewish scribes during the Babylonian exile, so that the final redaction of the current Pentateuch was completed in the time of Ezra during the fifth century BC. However, critics of the DH have identified intractable problems which undermine the theory. As such, not many Old Testament scholars today overtly promote the DH. However, in the absence of an alternative critical theory, the DH remains the operating framework for many Old Testament critics today.
Two wide-ranging implications arise from the DH. First, if the Pentateuch assumed its conclusive redaction during the Babylonian period, that is, six centuries after Moses, then it cannot be relied on as reliable historical source of the Patriarchal period. Second, based on the DH, critics argue that the composition of Genesis 1-11 was influenced by Babylonian myths. Conversely, the purported influence of Babylonian myths in Genesis is forwarded as evidence of the DH.
Part 1 seeks to demonstrate that the theory of Babylonian mythological influence on Genesis 1-11 rests of precarious foundations and thereby questions one of the assumptions of the DH that the book of Genesis (and the Pentateuch) was essentially shaped in a Babylonian context.
Part 2 offers an alternative understanding of the trajectory of the historical traditions of the book of Genesis developed by Duane Garrett who argues that the historical setting of the sources of the book of Genesis is Egyptian. In particular, it was the Levites who recorded and preserved the historical traditions of Israel handed to them by Moses. Continue reading “Between Babylon and Egypt: Mythology or Historical Traditions in the Book of Genesis. Part 1”