Form criticism applies the insights gained from the study of ancient folklore to identify and classify units of scripture which supposedly assumed distinctive forms during their period of oral, pre-literary transmission. Redaction criticism assumes the ‘results’ of form criticism but seeks to bring out how a writer could have edited (or redacted) the sources so that we are able to grasp his personal theological viewpoint. For example, we gain insights into the mind of an author X (e.g. Luke or the Matthean community) by observing how he uses [embellishes] a source document Y (Gospel of Mark), by making significant changes to the source document (e.g. additions or omissions in usage of source materials, changing words or phrases, supplying connecting ‘seams’, and reordering of sequence of events) to create a distinctive narrative framework of the life of Jesus with theological emphasis relevant to the needs of his intended readers.
Many critical scholars have concluded that the final form of the various units of the stories (pericopes/ pericopae) are strung together to form the four canonical gospels, the book of Genesis and the later chapters of the book of Isaiah are describing not so much the original historical reality of the stories, as providing insights into the social religious context of the author’s community (sitz im lebem). However, critics of form and redaction criticism contend that the ‘results’ of these criticism reflect more of the ingenuity of the critics than the actual historical processes in the formation of the biblical materials. Continue reading “Nonspeculative Redaction Criticism”